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Homegrown craft, meet pop wit.
the funny figure society
It was a doodle. Then a decision.
Then eighty-two hours (on average).
Then yours.
Every motif is drawn by hand before it's sewn by hand. That's the whole business model, and it's why we can only make a few of anything.
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hours of hand embroidery per piece, on average
0
people wearing it, worldwide
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pieces of deadstock, ever
how it happened
chapter one
Arya grew up around weaver communities, watching cloth become something before it became clothing. Her mother's side carried the lineage; the looms carried the rest. Long before there was a label, there was a habit of noticing how things are made.
chapter two
A solo Bharatanatyam performance, in front of a room that had no reason to be kind. Classical dance teaches rhythm, precision, and the discipline of repeating a thing until it looks effortless.
Every stitch in this house is repetition, held to the same standard.
chapter three
Pippa, Puff, Pari and Pru arrived somewhere between a sketchbook and a joke that went too far — and stayed. The clothes started talking back. Constellations, puffer fish, stamps that used to be money.
meet the funny figure society →
Arya Giri, founder
how we make it
Our base fabrics are woven on looms rather than pulled from a mill run. The cloth has a maker before the garment does.
Every motif is worked by hand. No digitised machine files, no heat transfers, no shortcuts dressed up as craft.
We're deliberate about what goes into a piece, and we'd rather turn down a fabric than compromise on what it's made of.
We make a few of each thing and sell them. Nothing is overproduced, so nothing is written off, burned or buried.